We went to the Ballet Repertory Theatre of New Mexico’s production of “The Nutcracker” last night in the historic Kimo Theater. Laurie wore her pink stripes and pleats with “Count of Monte Cristo” boots, white silk scarf, and her Harley Davidson leather jacket for the cold walk back to the car.
If you want to see a nice, close-up view of the Mona Lisa, look her up on-line or in an art book, because you can’t get a good look at her at the Louvre.
The Louvre has a current exhibit of a large-scale series of installations, encounters, theater performances and public activities by Italian artist Michelangelo Pistoletto (1933, Biella). The exhibit is titled Year 1: Earthly Paradise, and it marks “the transition into the new era of human, social, and cultural metamorphosis that was celebrated all over the world… The exhibition embodies three different time frames: the past, in the context of a retrospective; the present seen in the mirror works reflecting the visitors; and the future in a great obelisk topped with a triple loop, a symbol of this ongoing revolution. Thus the sign of the “third paradise” adorns the pyramid… Spirituality, figuration, the breaking down of boundaries between the arts, social solidarity, and the merging of life and art: these are the themes permeating the thinking of Michelangelo Pistoletto…”
Every other photo in this set of photos is a photo of a Pistoletto installation. Most of these are from the mirror installations, but there were video installations where we were live in the video along with all the recorded video. One installation was neon in different languages in the medieval part of the Louvre and the last installation we saw was a room of mirrors. I also included a shot of Laurie in the tiny elevator in our building as it fit well with Pistoletto’s idea of past and present.
If you haven’t figured out that the Louvre is crowded, it is. It’s very difficult to get a photo of a painting without visitors in it, except for occasional breaks in the crowd and photographing ceilings. So I just view the crowd as part of the art experience.
We went to Handel’s opera Guilio Caesare last night. The orchestra used instruments from the period, which blended particularly well with the voices; the sets were monumental; the performers were fantastic. We were in a box seat slightly to the right of center stage on the first mezzanine level with 5 other people. The theater was packed. We arrived 40 minutes early, which allowed me to get some photos of the interior of the theater with my iPhone (last photo).
A costumed crowd was gathered outside the Kimo Theater. I wanted to park and get photos but there were no parking spots available, so I swung around the block and did a drive-by photo at about 10 mph. The sunset was beautiful, but my best opportunity of getting a photo of it was a drive-by at 80 mph on I-40.
Today is my 666th consecutive post since I moved to Word Press. The number 666 is dear to me because I woman once called me the Antichrist in a public meeting (I really, really made her mad). Later I used the same formula that Boris used in Tolstoy’s “War and Peace” to add up the numbers that corresponded to the letters in his name to see what they added up to, which turned out to be 666, making him think he was the Antichrist. Guess what? The numeric values of my full name also added up to 666. But it’s all for fun, as Nero was thought to be the Antichrist referred to in the Book of Revelations, and apparently, the Mark of the Beast could be 606 or 616, so all the superstition about 666 may all be for naught. The State of NM changed NM Highway 666 between Gallup and Shiprock to US Highway 491 a few years ago so they wouldn’t be mixing church and state.
So when Bruce and I were discussing what I should do for photos for this special post, he gave me the idea to google 666 Route 66. There are were actually four choices between SW, NW, SE and NE depending on which side on Central Avenue your on, east or west of the railroad tracks. East of the tracks was a hotel or the building the Baptist Convention used to be in. West of the tracks is El Rey Theater and a parking lot. If the Baptist Convention was still at 666 Route 66, that building would have been the photo of the day, but it’s a boring building and I have no history with it. So the El Rey got it. I go way back with the El Rey. When I was a kid I went to movies there, and about 20 years ago we went to see a band friend liked — the band sucked but our friend was entertaining. Around the same time, we went to a couple of salsa dances, performed flamenco, and we went to concert by Bela Fleck and the Flecktones at the El Rey. Bela Fleck was fantastic and he changed my opinion of the banjo forever. I still get mail from the Flecktones every now and then.
At lunchtime Bruce and I walked over to the El Rey Theater and he posed for me on the spot that would be 666 Route 66 SW. I used a super-wide angle lens, which made Bruce look a little like the Terminator, which was perfect. The we went around behind the building to find the back wall colorfully painted with an outline of the Virgin de Guadalupe on a back door — super! Then we photographed our way back to the office through the well painted and graffitied alleys.
Coheed & Cambria, Between The Buried & Me and Russian Circles played tonight at the Sunshine Theater, and these white mannequins were among the gear in the staging area behind the theater.
Film crews often block streets and take our parking in downtown Albuquerque. They had 3rd Street blocked off the between Gold and Central the other night while filming “Force of Execution” with Steven Seagal. While I was making my way out of downtown the same night, I noticed the Kimo Theater’s marque read “Story of Film.”